No Breadcrumbs

I can always count on myself to forget every pain that I have felt

All I have to do is blink or breathe to know that they are gone

Fleeing like a fog gone wrong, held beneath the summer sun

To find that I’m a drowning man and the currents are siren songs.

They play a simple tune, you see, a pulse within a fatal chord

They fade into every child’s recess like this sad song that’s at its end

I suppose I should be thankful, I should say it now before

I have the chance to forget my life and am forced to play pretend.

For there lies a certain irony in every lie I’m forced to tell

Never once a thing of malice but the wishes of a common man

That I might grow just once from pain, like forest fire trees that have been felled

That I could feel just one embrace, something more forgiving than Sahara sands.

But this is who I am, I guess, and dry earth is who I’ll be

Until all songs have ended and I’m forced to wonder what went wrong

I wonder who I might’ve been, had I some stark memories of every loss

I wonder if I might’ve stood a chance, had I marked the only path I’ve ever been on.

Instead now I’m lost in the forest, in the trees behind my house

And here I stand in the darkness where every porch light has burned out

And I wonder where the bread has gone and why there are so many crows

Standing on my shoulders, burning black like the shadows, of a life that’s gone down like the sun.

Coffin Lights

There’s a long made bed at the end of the hall

And the sheets are polished stone

Surrounding blank space are empty chairs

And even those are somehow alone

There lives sad silent murmurs in every shadow on white walls

But all I see is a solitary throne and every occupant is unknown.

Great light shines down upon us

There are no gods with hat in hand

Charts lay scattered across the floor along felled fallible man.

They speak of finite resources

Of the ghost left so far behind

And for all the good they might’ve done, for all the sights they’d seen,

They will always worship that horizon line.

Stretched out like every sunrise

Across flat worlds that always end

We are lost in a finite universe that refuses to expand

Beyond our limited knowledge

Beyond the coffin space

We are the darkness inside the room and we wish there was light instead.

3 Weeks

What a whirlwind.

Or rather, “What a light breeze!”, if I’m being honest.

It’s been three weeks since my first book release and every single one of those days has gone by in a blink. I feel like I did last year upon returning home from my month-long sojourn to Europe, staring at my bedroom ceiling while I wonder if anything actually happened or if the biggest parts of my current life are little more than a half-remembered dream. Poe might’ve thought that was the case and if it’s good enough for him, then it’s good enough for me.

Unless we’re talking about my dating life, in which case I’ll subtly step far away from that particular literary titan.

It’s odd, though. It really is. I’ve often tried to explain how I experience the passage of time to friends and family, if only to see if this is a shared perception, but with little success. I’m quite sure it is because if there’s one thing the internet has taught me, it’s that all the quirky things I did as a child and teen aren’t nearly as unique at I once thought they were. Our similarities run much deeper than I often thought, so perhaps the fleeting sense I have of everything is shared as well. I doubt I’ll ever know for sure, though. As with everything else, I feel like I’ll never have enough time to figure anything out at all. All I’ll have are the unanswered questions.

It’ll be like playing “Who Wants to Be a Millionaire?” but without a host, which seems about right since Regis is now dead. But I digress.

Three weeks. Twenty-one days. And I swear to god, it seems like forever ago and just yesterday at the same exact time. Memories are a hazy thing for me, they always have been. Sad and terrible events linger forever and with great prominence but the best that life can give tends to exist in the part of my brain that most resembles a cluttered and cobwebby cleaning closet. They’re there, those moments, but I’ll be damned if I’m going to ever find what I’m looking for in there. It’s a cluttered mess of half-forgotten things and so much more.

The amount of times I’ve fallen while trying to find a talking mop and come out with a rusty iron shoe, I tell you what…

But they’re there, those good times. Those incredible memories and experiences I hope to take with me as long as I can without losing them to the luggage carriers as so often happens while flying. And I think if I looked hard enough, I might find every stressful moment of joy that came with my first ever book release party. There were friends and family, people I haven’t seen in ages, and they showed up in droves to buy my book and have me sign it like I’m not some agoraphobic weirdo they’ve known for the past decade or more. There were beers. There was chaos and pretty girls. There were a lot of people who cared, in short, and that meant a lot to me.

But it’s gone now. Everything is always gone. And I hope it saw me wave goodbye as it wandered off to wherever those things go.

EDITOR’S NOTE: I have now returned from a 90-minute break. I had to watch a nice little horror movie called “Hell House LLC”, which, while possessing of a truly awful title, is a surprisingly fun and creepy little found footage movie. Recommended. And so, I digress yet again.

I go back and forth on whether or not I’ll put another book out there. I’ve never gotten this far in the game before, so I don’t know what will happen next and I worry that 80% of the people who bought the book bought it as a novelty. As something about which they could say “Hey! Look! I have his book and I know him!”. I know it’s a strange worry, but it’s a worry nonetheless because if I were to put out another book and that novelty is gone, if they’re not really reading my stuff so much as stocking their bookcase with it, then how forgotten will book two wind up being? See, this is where my mind goes and how it works all the time. It doesn’t quit. I don’t honestly know if it knows how. It’s a constant ebb and flow of worries and fears, that I’ll write for myself and myself alone and yet somehow even fail at that.

Good god is it a pain. But pain won’t last forever, right?

So yes, one of the biggest moments of my writing life is now three weeks deceased. It exists in a hazy broom closet that I try to visit sometimes even though I often wonder if it’s meant for me. I’m toying with releasing a second anthology if only to amuse myself, a collection of my truly sobering stories of the sad and whimsical so as to confuse anyone who might think it’s a follow-up to ISLAGIATT. What an oddly enjoyable experience that would be. And then, because I am the man I am, I could inevitably have this same exact conversation with myself all over again once it came out and was released to the world.

It just seems weird, that’s all. Momentous occasions should feel appropriately momentous, possessed of resonance that spreads out across a pond like rings in the water. It’s odd to see them die out so quickly. It’s strange to see the water fall flat.

But it does. It always does. And no matter what, I can always be sure that there is a dusty broom closet somewhere out there. I may not be able to find it, I might not even know it’s there sometimes, but it is and the best moments of my life are sitting there around a small table as if they’re the aging characters of Wonderland. No matter how recently those memories were made, I’ll be left to wonder where they’ve gone to and why they’ve left me here alone. And I will. It’s in my nature to dwell on these things.

And yet when push comes to shove, I’ll do what I’ve always done: I’ll see if I can’t make more. Not just so I can relive the feeling I’m sure I felt, but also so I can make them feel less lonely by giving them what the occupants of a forgotten room in an empty house so often need.

Friends.

Wishes

I traveled every pitch black road to see the light in you

But even my sharpest rose-colored shard was somehow shaded blue.

The impossible flicker that sparked to life the worry I might care

That I would whisper into the night and find there’s no one there.

Sometimes if I close my eyes, I see you in the corner of my room

The space I once left empty for every word I might say to you.

The triumphs and the tragedies, every echo to shake the walls

With the time together I thought we’d have that became my autumn’s fall.

Of all the things I thought we’d be, false seasons were never one

The constant change of single waves, summer leaves charred in the sun.

To rise in haunted smoke signals and fall in words upon your skin

I never knew the game we played and so I’d never learned to win.

It all sounds trite and foolish, to be honest these things always do

I wish every little glimmer I saw in the darkness could be you.

But the lightbulbs now are dying and even the sun has gone away

And the shadows that I so wished were you even now must slowly fade.

Into the great unknowing, imagined lands of what might be

I cannot say I saw it coming, that nothing could somehow leave.

In the strangest ways it hurts to say, goodbye to an empty stare

And how I wish on the darkest nights that there was someone there.

Widow Webs

I waited so long for this path to prolong,

That all that has been now has gone,

To an unfortunate end bleak life failed to portend,

That there were such true things as “on and on”.

But it’s a sad happy thing dripping heavy from a tree,

Like the tears in summer rain or black tar sap,

That pretends like it is going somewhere better, somewhere knowing,

Someplace more than to an organic last gasp collapse.

And yet for every fragile hope trailing off to where, who knows,

There are seven spiral staircases winding down,

With the promise of belonging in the clocks that spin foreboding,

Down as widow’s webs that catch ashen human snow.

To be kept in iron vase, above false woods and a fireplace,

So far beyond these empty fires burning low,

With the promise to the finite that their house lit now by nightlights will forever infinitely stay,

Lording over failing matter that like thin glass will shatter as every flame becomes a lifeless ember’s glow.

Failing Upwards

Well, the preorder for my first ever book release expires in a day and a half.

No, allow me to rephrase that. “Expires” is such an ugly word and full of gothic foreboding. Great. Now where was I? Right. The preorder for my first ever book release dies in 36 hours. It dies and at long last my days of proselytizing a product most people don’t care about will finally be at an end. No more Facebook statuses. No more Instagram videos. No more long hours spent wondering why the friends I’ve known who once cheered me on so vociferously couldn’t be bothered to buy a book.

You may not think I know who you are, but I do.

But let’s not be petty! This moment isn’t about you.

To tell the truth, it’s not even about me. It’s just about one book of many and a stupid dream.

That’s a weird word, isn’t it? Poe had his line about it, about how all that we see or seem is but a dream within a dream and so on and so forth, and to be perfectly honest that suits me just fine. See, I like that perspective and since you’re on my website and I have full editorial control then you’re going to hear why. The honest to god (*citation needed) truth of things is that I used to dream about being a writer. I used to dream about a lot of things but never anything quite so passionately as that. I dreamt of writing in a log cabin, surrounded by trees and roaming bears as I wrote the next in a long line of novels that allowed me to live my life as I saw fit: solitary, quiet, and creating. That’s all I ever wanted and growing up has been a process of understanding all the many ways it probably won’t happen, at least not in the manner I anticipated.

I don’t say that to be dour or depressing, two things I’m quite often and quite rightly accused of. I say that because it’s how life goes. The world does not exist to bend to our whim. It doesn’t dote or cradle, calm or comfort. It just is. It’s an ancient place that will only be around until it isn’t, just like us. And no matter how much we wish it wasn’t the case, it doesn’t care at all about what we want to do over the course of our finite journeys across the earth and stone it allows us to call home. It’ll be here until we’re not and it will exist long after we’ve left these things behind.

That’s comforting in many ways, at least it is to me.

The truth is, I succeeded at my dream. I wanted to be a writer…and I am. I wanted to write books…and I did. I wanted to write poems and short stories not because I cared whether or not anyone liked them, but because I knew I did…and I have. And for all the years I spent angry and frustrated at the world, at myself, and all the nooks and crannies of my perilous dream, I’ve slowly ticked those boxes along the way. No matter how low I got, I did what I set out to do. And it doesn’t matter if I’m not writing in a cabin in the woods. It doesn’t matter if I’m poorer today than I was ten years ago. It doesn’t matter that when people ask what I do and I tell them I write, they don’t understand the totality of what that means.

Because I set out to be what I wanted to be and I’ll be damned if anyone was going to stand in the way.

And yet the nature and tone of the thing lingers. A dream…such a funny word. A dream implies that you’ll wake up from it, that the thing you’ve wanted with all your heart would only be there until it wasn’t. Either you’d sit up in bed and realize an ordinary life was calling or you’d pull a blanket over your eyes in the hope of seeing who you wanted to be in the figments and darkness of your nightly imaginations. Truth is, I never had any interest in that. All I ever wanted is to be exactly who I wanted to be, to tell stories only I could ever tell, and to sit back and remind myself that the only accountability I’d ever have was the strength of my own passion and the annoyance of what failure would mean.

Life is not a dream and neither are our goals. When you know what you want in life, you don’t wait on it. You don’t sit back and hope something more comfortable will take hold. You don't lay your head on a desk and cry at the concept that nothing you do will matter or last, wracked with fear at the concept that in fifty years no one will remember your name. Time remembers no one. Actresses, writers, poets, singers, musicians, politicians, lawyers, astronauts, humanitarians…the list is as long as it is varied…every single one of them wanted to be something. They wanted to make it. They wanted to see their name on a book or a business card or reflected in a child’s eye. And do you know the funniest thing? Most of them did.

They did it. They succeeded. They fought tooth and nail for who they wanted to be and they summited that mountain.

And then they died.

After all that, still they died.

And in one hundred years, most of their names will be forgotten. So much of what they sacrificed will be lost on the wind. All that will remain are the distant echoes of people who became what they wanted to be and did it for as long as they could. And that’s enough. It should’ve been for them and I believe it will be for me, because the only certainty to be found in anything is the humorously and tragically inevitable end of the road that waits for all of us. What a shame it would be if we went to greet it without putting everything we had into who we wanted to be.

It’s not going to wait for us to figure things out, nor will it pause while we struggle with our insecurities. It’s just there…it’ll always be there…and what a foolish thing it would be if we went through our lives waiting until we fell asleep to finally become who we wanted to be.

The odds are good that no one will remember the words I write. They certainly won’t care why I wrote them. And there’ll be no infinite pause of a finite home stretch simply because I have yet to claim my desired status, or live in the house I thought I’d live in, or find happiness where I thought it hid. Simply put, I’m quite tired of waiting for the completion of a bucket list that was written by a child who didn’t understand the world and thought he could only ever be what he wanted to be if he found the money to be it. That’s not how it works because money, just like us, will only ever go away. To believe differently is a childish thing and the best thing about children is that they grow up.

I don’t need to sleep anymore.

I don’t need to find solace in lives and realities that aren’t mine.

I am Poe’s Dream within a Dream, lost tenfold in the stories I’ve told and all those I haven’t.

It’s the funniest thing, really.

I already am a writer and I always will be, remembered or not.

An Update 31 Years in the Making

It seems like it’s been awhile, doesn’t it?

I guess ‘a while’ is only ‘a month’ in this case, and given how often and lengthy my hiatuses can be, that doesn’t seem like too much of a strike against me. Then again, maybe it is. Maybe the seven or eight people who read this blog are refreshing it on the daily in the hopes that I’ll post some sort of groundbreaking insight into the craft and works that make up Luke Ganje. Is that likely? Well, no. Are you insane? I’m more likely to be the cover model for the novel “How to Have Great Hair and Keep It.” But the simple fact of the matter is that I actually have some news to talk about this time, so while I’m approaching this post with the same level of professionalism and panache as everything else (see: None), that’s pretty spiffy.

See, I’m publishing a book in a month and a half.

On August 7th, 500 pages of my most demented imagination will be exposed to the world and I’m pretty excited about it. It’s called “It Seemed Like A Good Idea at the Time” and showcases work that I’ve never posted on this site. While the majority of the work here is contemplative and (some would say) morose, this collection is part of the opposite end of my writing spectrum. It’s absurdist, it’s bizarre, it’s strange and bleak and often nihilistic, and it’s funny. Or at least it’s supposed to be. It’s a collection of 11 short stories (12, if you count the appropriately titled “Author’s Notefesto”) that all weave and intersect into one another to build what I’m calling “The First Ever Almost-Novel”. It’s basically like the movie “Crash” or any one of those crappy vignette films that came out for a while except, you know, better.

I know I’ve written at length about my disdain for self-publishing in the past, a topic I tackle with humor in the aforementioned Notefesto, and rest assured my view on the topic hasn’t changed. I still loathe the saturation of the market that occurs when a company says anyone with a functional PDF file and an Amazon account can be a published writer. I hate the fact that my first ever book will not be coming out with the fanfare of a publisher at my back, that when people ask who published my book I’ll have to swallow some lingering disgust and say ‘Myself’. But the one thing that has changed is my annoyance with the publishing world has grown a little over the years. I’m getting older every day and with each of those days comes the potential for a time when I can’t write anything ever again, and I’ve found that to be uniquely sobering as we all stumble and fall through the nightmarish hellscape that is 2020.

See, we’re always running out of time. And as I sat back one evening, thinking about what I’ve done and why I’ve done it, I decided that at least once I would take matters into my own hands. I take immense pride in what I do, I always have, and it didn’t seem right to me that 11 stories I enjoyed writing very much would never see the light of day. It would be having a child and locking it in a closet until it eventually died. (Don’t argue with me, parents of the world, it would be exactly like that). In short, I came to despise the nature of the publishing world with all of its form letter rejections and pretentious narratives that said they didn’t have a home for my epic of absurd violence, dead children, and profanity. Okay…I’ll admit, when I put it like that it doesn’t sound nearly as victorious as I hoped, but my point remains:

I wrote these stories. They represent me as I take a baseball bat to the institutions and traits seen in humanity that I loathe. They’re me dealing with the world the only way I know how… by showcasing the things I hate most and killing them. Well, in print anyway. That’s what humor is for, at least to me. It’s looking at something despicable and then ridiculing it to such an extent that you’d feel embarrassed for ever thinking that could one day be you. That’s not to say these stories will make a better you, as they almost certainly will not. Hell, some of you might even find the contents of the book to be uniquely upsetting and offensive, but that’s not why they were written.

In my own way, I’ve had enough. Not just with the fact that the still-laboring pulse of my Dream hinges on the acceptance of someone I do not know based on a cover letter and two pages of a 600 page novel, but with the type of people who inspired each one of these terrible stories. And I wasn’t going to wait around for someone to tell me that they’re good enough.

Because they are.

I wrote them.

And even if they’re not for you, even if you dislike the content in these pages, they will exist somewhere beyond a file on my computer. They’ll be out in the world where they deserve to be.

See, I’ll be leaving the city I grew up in after April of next year and I wanted to leave behind something to show for all the time I’ve spent here. For better or worse, this is it. There may come a time when I look back and think I should’ve published one of my books of depth and emotion, but oh well…you know what they say: It seemed like a good idea at the time.

Preorder here: https://www.indiegogo.com/projects/it-seemed-like-a-good-idea-at-the-time-a-novel/x/22598182#/

A Sneak Peak into "The Dead Grass Grows"

As May turns into June, I’ll be turning all of my focus towards my horror epic titled “The Dead Grass Grows”. A three part standalone, it will follow the trials and tribulations of a boy, a teen, and then a man as he faces not only the ghosts of his past but those that seem to be so very alive in his present. What is real and what is true are questions that will be answered in pages saturated with nightmares and blood, buoyed like a raft by the rising bubbles of a drowning man. This novel will be titanic, it will be cruel, and it will be unforgiving.

Live in fear of the barking dogs that are not there.

PROLOGUE

I was sixteen when my mother stitched her mouth shut with fishing line and a needle from an old sewing kit that used to sit on her bedside table. 

I was another day older than that when she bit off her tongue after waking in the ICU to find that her stitches had been removed. I didn't talk to her much after that and she didn't talk to me at all. She lived for another nine years, her time spent spread across several different mental hospitals across the states, and I never got around to visiting her. I feel bad about that sometimes. They found her in her room on her fifty-seventh birthday. She was surrounded by papers and notepads filled with sketches and unreadable words that ran in constant circles. She'd choked to death on a brand new collection of colored pencils that hadn't been broken or dulled. 

I didn't ask them how it happened. I didn't want to know. 

That's not to say we didn't have a good run of it, because we did. We owned a little liquor store in town that we rarely opened but was always there. I had a father once, and she'd had a husband, but he'd run far away to a place we wouldn't go, so I'd never really known him at all. She and I played games and laughed and sometimes we'd play hide and seek and she'd never find me. But we still had fun. It's nice to remember her smile the way it used to be before the needle had poked it bleeding holes. She never told me in those early years what she wrote about or what drove my father away and that ignorance was bliss. For those couple years before the walls started knocking, she was just a mother. She was my mother. And she was great at it. 

But those did knock and everything changed. She never stopped writing after that and we didn't play together nearly as much. When we did, the games were different. 

We lived in a clearing just north of a little town in Kentucky. We weren't too far from Lexington but that didn't matter much because we never really traveled. It just mattered because it was my job to go to the little drug store that sat smack dab in the middle of a row of empty shops and buy pens and pencils every other day. I'd walk there in the morning on Mondays, Wednesdays, and Friday, and sometimes more than that, because when the only thing that stopped the bleeding of ink through is sleep, you wind up running low pretty often. Ms. Harlow would always smile and say we were keeping her in business every time I came around,  but I never said anything because it wasn't a joke. 

My life wasn't a joke and neither was what my mother did. 

When the eyes in the darkness started glowing, she was there. When the men started coming for me, she was there. And when the emptiness threatened to swallow everything we'd held aloft for so long, she was there. There was always a pen in her hand. There were always symbols and words no one could read written into the floorboard and panelling so many times over that they were carved grooves rather than wet ink. She said that as long as she wrote the things that had to be said, they could only get so far. One day I'd write them too, just like her mother had written them and her mother's father before her. It was just something we had to do, she'd say. 

There used to be more of us, she said. But good things go away all the time and they did too, sometimes to the sound of a whistle, sometimes to the snap of a rope. But they all went and eventually she did to. It wasn't their fault. It wasn't anyone's, really. For all that they were trying to do and all that they tried to keep in the dark, there was never enough ink. There was never enough paper. No matter what you did, even if they'd demolished every forest and every protected state park, there'd never be enough trees. 

I stayed with a family we used to know once she got committed and I was there until I turned eighteeen. I saw my doctors pretty regularly and didn’t give much thought to anything other than that. I was just a kid and no matter what everyone said, I remembered the faces in the past and the voices that came with them. I remembered everything about those nights even when I was sure I was insane and sometimes I'd wonder. I'd wonder what would've happened if our life could've kept going in that little house in the clearing. I'd wonder what she would've taught me and what I would've known. The more she drank, and she always drank, it was harder and harder to learn what she was trying to teach, but I tried. I was a good son. I was her boy and all I wanted was for it to stay that way. 

We kept boxes of saltine crackers in every room of the house in case the urge to whistle ever came knocking. We didn't own any plates or forks or things like that unless they were plastic or paper because we couldn't run water any more than we had to. I drank bottled water and mom drank whatever other bottles happened to be in the room; she wasn't picky. No one in the town seemed to care that my childhood was made up of long walks down the main road with bags of pencils, pens, and whiskey bottles in my arms and filling the wagon I pulled behind me. They were good people and they knew I was just trying to help my family. So we did our thing, we kept our traditions, and she'd sleep from midnight to six every night, writing as soon as she woke and until her hands were trailing blood along the splintering wood floors. 

I like to think I did well. When things got bad and she found the fishing line in the cabinet under the sink, I like to think she was still proud of me. But that doesn't mean I don't wish I'd been better. It doesn't mean I didn't wish I'd kept her writing. Or that I could've stopped crying so she'd stay asleep. A good son would've done those things. When the dread shadows came walking through our world, the better version of me would've stood strong so my mother wouldn't have to. She would never have done anything other than what she was supposed to do, maintain the balance and protect her son. She was strong like that even if she didn't look it.

That's what family is for. That's what I was supposed to do. But the bridge runs both ways and all her work didn' t matter when it stood guard against gates I'd left open and swinging in an invisible breeze. It might as well have been a tissue land in a land of concrete tigers for all the good it did and I'll never forget the look in her eyes when I told her about the man in the kitchen and the stack of bottle caps I kept in my pocket. It's the sort of thing that never goes away, that sunshine glimmer of hysteria and pain, and it was there when she threaded the needle all the way through, when the blood started running free and she started to cry. 

I'd never seen my mother cry before, not even after all we'd been through or when we'd found my father in a garage filled with running cars. That scared me more than any visitor ever could have, but a good son would've held her hair while she worked. He would've said kind things in her ear and told her how much he loved her as the stitches formed and she gagged and whimpered on blood running free. A good son wouldn't have run away when she beckoned him with a newly threaded needle and line. He would've known it was for the good of all things and the end of all bad, but the good son wasn't me. I thought I could be, I really did, but I wasn't. 

When she needed me most, I wasn't enough. 

I still remember what it felt like when my fingers dialed 911, the motion so foreign and disconnected that I swear it wasn't really me. The numbers felt like ragged sandstone that ripped and tore at delicate skin. I still remember hiding under the sink, the phone held close to my chest and surrounded by bloody bottle caps. I remember everything. 

And I remember when they took my mother away. 

Now and then I'll see her standing in the corner of my room and it's always late in the middle of the night. Colored pencil shavings spill out of her mouth whenever she opens it to scream and they hit the floor with the force of leaves soaked through by red rain. But I don't see her every night. I don't always have to see the pain in her eyes or the fishing line that dangles from torn lips and sways as if there's a cold wind coming that I can't feel. Sometimes it's just a shadow or a draped coat that looks so terribly wrong. Sometimes the screaming and the whimpers are just the results of bad insulation in a house too old and rotten and dead. 

Sometimes. 

But not always.

Cardstock Foxholes

I tore apart the story and folded it just twice

Into creatures of the woodland and the sights I’d wished I’d seen

The artful fare that never flew

No matter the heights from which they fell or how kind the gentle breeze

Because I only ever let them go in service of the lore that saw

That I don’t really know who I am anymore

And I’ve folded this final house of cards.

What use is a pair of aces when you have no place to call your own

Or somewhere you might be going

Those lies that say you’ll go

Out onto the deck of a crumbling world

Into the sunshine and the curl

Of a cloud that has yet to fully form

One that hasn’t shadowed

Hasn’t wallowed

Hasn’t mourned

The death of who I might have been

When I was my own child’s dream

I know even now it still should’ve mattered

Perhaps I might still see

The writer that I never was

And the man I couldn’t be.

Too lost in lives that were not there

Or shared with those that I wish were

Not found in deepest shallows, where I could never swim

But in hollow halls where thought lightbulbs would only ever dim.

Always to the tune of an infinite song

That placed each note just right

I was never the pen on an unwritten page

I was always the unwilling darkness in the light.

The shadow

That specter

The dealer shuffling those false cards

I was nothing in this hollow house

I seem to be the dying heart of every star.

The funniest thing of funnier things is that I wish it wasn’t so

No matter the places I’ll say I’ve gone

There are thousands more to which I cannot go

Into the hearts of all my untrue friends

And the memories that they’ve made

There’s not even life in the lives I’ve lived

They’re just the loved ones who wouldn’t stay

In the world that I so wish we’d shared

This hollow fragile box

And now there’s a fox and he’s loose in the henhouse

Even though it’s empty and it’s bare

And I wish I could say that I’ve gathered today

The eggs and the feathers and wings

But I sit and I wait for the nothing that comes

In the dark where no angels can sing

Because the walls are cut thin with hearts and their spades

And that fox dies alone all the same

In the empty still box now a starving once was

Who finally knows you can’t live eating paper cranes.

The Lies of Stories

My mistakes are heard in thunder

In the shivers and the fear

That comes with shaking a fragile box

With no worry that we might hear

The snowfall of a snowglobe

Now a melting avalanche

That rush of tidal destruction

To wash away our final chance

That we might live forever

Beneath an unbreakable dome

Where every breaking thunderclap

Cannot trouble 

Cannot rip apart this fragile home

Where all my lives are fleeting

Even the ones that will live on

Far longer than the others that

Are dreams we didn’t know had gone

The ones that woke like startled children

From a life that shouldn’t be

To find that every world now left

Is a fresh new trial and deceit

To see that we won’t live forever

That we’ll only age and die

And the greatest things that never were

Are lost in tears we never cried

Tears that soaked the hardwood floors

Of every finite home we never built or grew

We were only ever our broken hopes

Our lovelorn lives

The tragic end and the final sigh

As our thunderstorm blew

With the rage of all our failures

With the pain of all our loves

The rain of all we thought might be

Crashing down as a truth we sought

To embrace the inevitable ending

The story that was never read

Before the familial fireplace

Where truths were never uttered

Never stuttered

Never said. 

Because who wants to tell that story?

Who wants to see the hero die? 

Who wants to read that final page

When you can tell of its biblical lies

That your heroes will go on forever

And battle each windmilling foe

In lands that they may never leave

With loved ones they’ll always know

It makes so much vital sense

Even as I type each word

To know the lie each story tells

For the sake of those who’ve heard

That all great things for now must end

And every hero goes

Into every darkest night 

Towards an end we cannot know

There is no grandiose thunder

There is no lightning strike

Just the whimper of the weeping world

And great absence of every light

To greet everyone we’ve ever known

That have all fallen like the rain

Like every story ever told

We hadn’t the courage to say

Farewell, my fables and my friends

Farewell because this is it

The final page

The final journey

The final strokes of all our pens

Farewell to all my heroes, I fear this might be The End. 

We Will Always Kill Harambe

I love animals.

To my knowledge that’s always been the case even if I can’t track that bit of me back to its genesis, and it is a love that is as deep as anything I know. I see them as Old Gods on a spinning blue marble, clinging to the world they used to rule while instilling a primal fear, as messengers for impossible things, and art that both lives and breathes. They’re everything I ever wish to see in the world and whether it’s a crow, a spider, a cow, or something far more exotic, they cause my eyes to widen with an expectation and awe that I trust will never fade. When humanity has had its run, they will remain as the stewards they’ve always been and I imagine the wind, rain, and trees will be happier for it.

Anyway.

Harambe was a western lowland gorilla who was shot and killed in May of 2016, most of which you’ll already know unless you’ve been living under a rock or are over 55 and without a stable internet connection. Why did this occur? Well, in short, it’s because a kid visiting the zoo with his mother fell into the enclosure and after the gorilla dragged him around for some ten minutes and became agitated by the commotion of the crowd, the zoo decided to take risk off the table and shoot a 17 year old gorilla. In front of a crowd and panicked parents, Harambe died in his enclosure and the child was removed safely.

It doesn’t matter how we got to that point, really. It doesn’t matter that this kid crawled through four feet of bushes, after scaling a three foot tall fence, before falling fifteen feet into a shallow moat. It never really matters how we get anywhere, not really, not while we’re there. Sure, it helps with the writing of our personal histories, but once this latest reality has been pushed into motion, we don’t find ourselves living in the what-if’s or what-may-be’s. There’s just the present on which the future hinges, dangling as a carrot at the end of what is either a pirate’s plank or a bridge to better things, and sometimes it’s hard to tell which is which. You can hypothesize and you can guess, but you never really know what’s going to happen. All you have is an uncertain stretch of time to decide the costs of being wrong with the understanding that you cannot ponder for long.

If you drag your feet enough, what will be…will simply be. And there is rarely any solace in that.

Moments and choices stripped down can be looked at as a simple comparison of extremes. Best case, the zoo doesn’t want to kill an innocent gorilla who is acting only as any territorial creature might, in time Harambe forgets about the kid or is drawn away, and the onlookers see a child dramatically whisked away to a loving mother’s arms. Worst case? Sensing the growing agitation of loud and panicked onlookers, a child is broken into pieces in a horrifying but understandable display that will be caught on cellphones and traumatically grafted onto the brains of everyone the story reaches. Are there other options? Of course. Reality might have played out an untold number of ways, but those are the most drastic. Presented in a best/worst case dichotomy, those in charge were forced to ask themselves if they had it in them to wager on a lifeform they couldn’t fully understand or engage in ways that were remotely helpful.

It might turn out alright. Then again, they might see a child die in ways no one is prepared to witness. Presented with that pendulum swing, it’s easy to see why a gun was fired and a gorilla died. Would I have done the same? I don’t know. We never really know what choices we’ll make until we’re truly asked to make them. I hope I would’ve made the right one, but then again most of us probably do even if we rarely know what ‘right’ could be in a given moment. Questions will follow and we’ll wonder whether the choice we made furthered the timeline or if we stepped off a plank, plummeting into water so cold that we aren’t even aware of what’s happening, but that doesn’t change the fact that the choice has been made. To decide in favor of avoiding the more tragic end is almost always more palatable than tempting fate with that dread specter of hope stapled to your sleeve.

Oddly enough, I found myself thinking about this as the looming shadow of the coronavirus pandemic grew taller and taller still. I’m not a scientific man, so I usually find myself in that movie role of the Puzzled Spectator who wanders around with general disinterest, waiting for someone to tell him that things are getting grim. In “Armageddon”, I’m an unnamed extra who spends his thirty-two seconds of screen time watching the news, wondering if we’re going to die and if Ben Affleck is really the best choice to save humanity. (He seduced a woman with Animal Crackers, for Christ’s sake!). I don’t know if those are just the cards I was dealt, doomed to be a spectator rather than an active participant, but oh well. Here we are. All I know is that this is where the story starts, with a perplexed author of perplexing unknown trying to figure out whether he should lock himself in a cupboard Harry-Potter-Style or go about his everyday life and hope things turn out just fine.

Maybe the end will be just the same no matter what I do, then again- maybe it won’t.

I’ve never been the best at analogies, I’m limited by personal scope, so I know this is flimsy. That being said, it’s how I make sense of things. I can’t ask myself to get to a logical end wherein I can see the future and know that everything will be alright, just as I can’t ask myself to see the tragic unfolding of inevitable ends. All I know is that I love animals, I was sad when a gorilla got shot dead, and I’ll extrapolate from there. See, if you were to ask many people who know me to describe me in a word, you’d probably have to cut through most of them before you got to anyone who said “Empathetic”, but that empathy is there. I might seem at times like a cold observer, but I’m doing my best to understand all that’s thrown at me the only way I know how: By building a house of cards and trying to see its structure before it all comes crashing down.

So for the sake of this point, let’s alter the analogy slightly.

We’re in a zoo and we’ve seen a child fall into a pit. In the deeper parts of this zoo, a fire has started and since all eyes are on the gorilla enclosure, that fire will only continue to spread so long as the interest of all observers is drawn to the spectacle at the zoo’s center. How the child got there and what poor parenting allowed it to take place are things that can be assessed in the aftermath, but for now we are all rooted participants, observers as this brand new frightful thing unfolds. The longer we stand by and do nothing, the greater the chance of the child dying and all the while the fire in the distance will grow. A decision to remain idle will see an end where perhaps the child will live and the fire will go out on its own. Then again, that child may be left dead and broken while we watch the world burn down around us. An infinite number of possibilities exist along either side of those two options, but as earlier noted we tend to perceive dangers as a pendulum swing and rightfully so. It is the want of our human perception and the ifs-ands-or-buts can be saved for dissection in the public arena, where an infinite amount of time can be spent on all the questions we figured we didn’t have the time to ask.

When forced to watch an unfathomable event play out before you in real time, you won’t know what to do. You won’t know how to prioritize. I spent the early stages of this pandemic wondering if my trip to Iceland would be slightly rockier than anticipated, unknowing that it would be canceled a mere month later. I wondered if it would flare out just as Ebola, SARS, Bird Flu, and Swine Flu had. They always had, after all. Most fires of that sort tend to burn out before they reach “us”, meant in the individual sense rather than the geographical. Most gorillas of that size tend to wander away and leave us no worse for wear. But what are we to do when that looming creature threatens closer to home and a fire rages, tempting us with the fear that we might be so distracted by the child in the enclosure that we don’t realize our world might be a pale imitation of what it once was when we get out on the other side of it all.

It is easy perhaps to say, forget the child. Crawl out of your shells and put out the fire, all onlookers and zoo employees alike. Will the gorilla leave well enough alone in your absence? We won’t know until we walk back to that enclosure to see what reality our choices have wrought. We will say “What use is it to confront and stand in the presence of this potential end if our petrified state results in the destruction of everything we know?” If we come out of a pandemic with a broken economy and a new Great Depression, is the cost of our focus and direction truly warranted? We will wonder if we would’ve done differently. If we could’ve saved both lives and our way of life, and we’ll keep asking ourselves those questions through various elections and published thinkpieces far more valid than mine, and we’ll travel down that roller coaster, that rabbit hole, until time itself runs out.

We are humans, after all. Never underestimate our ability to overthink.

All worries are in some way warranted and we’re held in place by the pendulum swing.

But let’s say instead of a frozen onlooker, you’re the mother who watches her son get dragged around the enclosure by a creature of strength unimaginable. Do you care that the world is on fire? Do you care how that fire burns out? Or is your only concern the life of a loved one, knowing that you can find comfort in confronting an uncertain future if that loved one is safe for at least a little while longer. What is the great joy and promise of a world where a fire has been put out if you’re told that you must now walk through it alone? It wouldn’t matter how many people in that zoo told you that everything would be alright. All you would know is that, for all intents and purposes, you’d lost.

See, I’m a Capitalist. I’m a small-C conservative/libertarian. I don’t like the idea of an economy collapsing, leaving us all in uncertain futures of mounting taxation and federal overreach on a scale heretofore unknown. I can fall down that rabbit hole a million different ways and see each potential end. Many of them are frightful. Many of them are not. But the prospect of doing nothing about the gorilla in the enclosure is sickening to me, because the allure of that certain future (that is uncertain in itself, because raging fires are unstable things) is one that holds little sway over me. I listened to an interview in which a man said “It’s impossible for me to say ‘Sacrifice Granny and Grandpa!’ for the sake of the goddamn GDP!”, and I understand that.

We all experience tunnel vision when it comes to those we love. If our child was in the enclosure, we’d fire that gun every single time. If our loved one might catch a virus that could kill them, we’d stay inside until the world falls down around us. Whether there were other options in the little moments before the child fell is irrelevant because we’re here now, we’re in the moment where it’s all unfolding before us as that towering shadow. And I’m not saying there are only two options, just that it’s understandable that people perceive it as such; as an existential threat either to those we love or the world we live in, and often both. But in the end we see the plank and bridge, the broad path cut from one extreme to the other, and we watch that pendulum swing.

There is a sense of immediacy, one aided by the comforting thought that we might yet kick the can down the road for the sake of current friends and family and figure it all out as we go along. There’s a loved one in a high risk group. There’s a child in a gorilla enclosure. We don’t know what will happen if we do nothing, we don’t know what awaits if we act in the only extreme measure that still feels like a choice and grants us some agency. Maybe, just maybe!, it all would’ve worked out fine if we hadn’t done anything at all. Maybe it all would’ve gone away on its own.

But we are only human, after all. And we will always ask “What if doesn’t?”.

We will always kill Harambe.

For better or for worse.

Rabbit Run

I’m standing on the balcony

And the stars are desperate things

That burn out to the tune of broken glass

And snapped piano strings.

The grass is dead and frozen

But the life runs on along

The snow that makes the night bright white

And all we might’ve dreamed of-

To watch the very moment pass

The silent ticking clock

As we watched those rabbits

Rabbits run

In the fog and infinite snow

To vanish with the passing clouds

And I’ll watch you watch them go.

The smoke curls up around us

And all the world is flame

The living all are fleeing fast

But even now I wish they’d stay

They never do, they never will

The snow and white fur melts

But even so and even still

I’ll taste that cigarette smell.

We’re Not Timeless

Paper airplanes don’t fly

They crash into the ground

And falling isn’t flying

That’s a child’s movie’s lie.

For those of us still battered

By the tattered flags of change

There are only vast skyscrapers stretched

In Babel’s hope that it might last- and not be swept away.

It’s a lie of egomania

That what we do will linger

To see the final sunset, to watch the final rise,

Of something built on purpose where the stones won’t pay the price.

For all of our inadequacy

For the coffin rock we’ve carved

For the sake of the blind who will not read

Of our monumental glory, and the worth we’d self-prescribed.

I hope one day the sun will shine

Upon our mounds of fallen steel

For the sake of our reflection, the nothing that can last,

As we stand before an empty mirror, the fresh blank space,

Of all we hoped we might’ve been now lost in someone’s past.

Where the grass can now grow taller

Where our ash will help trees rise

In all the ways we never could,

In awe of what will stay-

For the sake of what’s gone on without us

When we all have gone away.

On the Topic of the Coronavirus and What I Should Do If I Die

Alright, look. I think we all have noticed by now how dour and heartbroken the last several blogs have been. Poems come fast and heavy and are frequently the side effects of what happens to the heart, that’s just a matter of common sense, and there has been quite the stream of them over the months. Do I apologize for this? Absolutely not. Writing is cathartic and helps me make sense of the feelings I’ve been trying to dodge as if I’m playing a spectacularly awful version of Pac-Man where the ghosts chasing me are just the smiles of someone who isn’t into me. Sounds terrible, doesn’t it? Well it is. Imagine, a bunch of disembodied smiles chasing you around.

Horrifying nightmare fuel.

So anyway, I thought I’d brighten things up by talking about my inevitable death. Let me tell you, if you don’t like me then this is your lucky day.

Unless you’ve been buried under a rock (what a horrible place to be), you’ve heard about the coronavirus. Sounds brutal, doesn’t it? Well, while I’m a relatively healthy person it can’t be stated loudly enough how certain I’ve been that I’m going to die in an incredibly stupid way. When I was younger, I had an unhealthy fear of drowning in a bowl of breakfast cereal. Sounds silly doesn’t it? Well… is it? Or did I develop my lactose intolerance as a defense mechanism against a certain fate that had been spelled out in Fruit Loops? These are important questions we all need to ask ourselves. I think it’s safe to say that science isn’t up to the task just yet, so I’m lowering the heavy burden down onto my shoulders (they’re very broad) and solving this riddle for myself (I’m high school educated, so rest assured- I’m a genius).

As many of you know, I have a trip to Iceland scheduled for the end of April. This time frame is not an accident as I’m running away from the sad things in life and somewhat tragically, I’m not very fast. In order to account for this shortcoming, I’m taking a plane and flying away because I don’t have the type of money necessary to lift my apartment complex off the ground in epic UP fashion. I’ve been told that distance cures things and while I’m hopeful that’s the case, I’m very well aware that in my effort to run away from matters of the heart I might nuke myself with an epic virus that’s tearing through Europe like Attila the Hun. That wouldn’t be ideal, but there’s something poetic in the subtext. Check the index and appendices of my biography “Luke Ganje: Average Face, Average Mind”. I’m sure it’ll be written shortly after my death.

Spoiler Alert: Not much happens between years 13 and 28, so I’d recommend skipping those eleven pages.

I always thought I wanted to be cremated, but thanks in large part to some latter episodes of Doctor Who and that damn ‘Dracula’ Netflix series, I’m a bit more up in the air on it. Do I want to run the risk of feeling like I have a dreadful sunburn for all of eternity? Do I want to look like a melting wax candle (ala Ted Cruz) while prancing around a distant eternal world, flirting with fellow dead people? That’s a lot on the line right there. Then again, maybe nothing at all happens when I die, in which case I’d rather be a dusty dead person floating in the breeze than a stiff skeleton trapped in a box. This is difficult stuff, but don’t worry. I’ve never been afraid to ask the tough questions.

Am I single because I’m bald? Would I have been a more confident man if I’d had a discernible jawline and pectorals as an undeniably floppy teen? Am I actually funny or is there a reason I’m the only one who laughs at my jokes?

It’s terrifying stuff, guys.

But I digress because while time isn’t of the essence, I get distracted easily so it would be best if this didn’t go on forever.

Just so we’re clear, I don’t want to die but it is frustratingly unavoidable. And while I’m so far succeeding at my goal of being the first man to live forever, I’m getting my affairs in order just in case. You can never be too sure and I’ve fallen down more than my fair share of flights of stairs (poetry) to ever be stupid enough to think I’m indestructible. Just the other day I accidentally shot myself in the face with my Water-Pik, so trust me when I say the Grim Reaper is coming for me. It’s quite obvious at this point that the guy is simply toying with me, but two can play at that game. Plan B is to settle into a cozy bubble-wrap life where the most daring thing I do is wear a plaid shirt to a western bar or skip wearing deodorant for a day, just to see if anyone will notice. Because see, the simple fact of the matter is that I can live far longer if I don’t go anywhere or do anything.

Will I do that? Probably not. If Iceland gets canceled by a shitty beer virus, I’ll just go somewhere else. I’ll celebrate the worst time of my life sitting on top of a mountain in South Dakota or looking out at the Grand Canyon. Maybe I’ll drive down to Kansas and watch the Sandhill Crane migration. There are always side quests in this shitty game of life, so there’ll be options out there even if I don’t get the chance to meander around a strange country and look at volcanoes. But if push comes to shove, if that plane is sitting on the tarmac when the end of April rolls around, I’m climbing on board because life is short and Death is a problematic fellow who likes popping bubble wrap.

It’s all coming down the backstretch. It’s all going to fade away. I might as well burn the candle at both ends until the wick becomes nothing at all.

So for now I’ll leave you with this, a Top 10 LIst of “Things to Do Should I Perish”:

1- Cry a lot and tell everyone how handsome I was. You’ll feel terrible if you don’t.

2- Make sure people read my stuff. Preferably my funny stories because they’ll make you cringe and wonder if I’m really worth missing.

3- Talk to a rabbi and a physicist before cremating me, just in case. Don’t take risks until you cover the burnt body bases.

4- Watch Paddington 2. It’s delightful.

5- Go watch a Sandhill Crane migration for me. It’s one of the world’s greatest wonders and I’ll be there as a ghost at least once a year. So be sure to say hello.

6- Contact Alicia Vikander and tell her that I’m sorry I was never able to take her on a date.

7- Invest in Rogaine. I didn’t listen to them until it was too late.

8- Go on epic adventures and never accept the ordinary when the extraordinary will do just fine.

9- Tell the people you love that you love them. Life is short and, like me, you’ll soon be dead.

10- Eat a little less meat. Pigs are chubby friend-monsters.

10b- If my death finds you all amidst an apocalyptic hellscape, eat me just so you can feel really bad about it. If I learned anything from being Catholic once upon a time, it’s that guilt can trick you into believing you’ve got it made. It’s very handy.

Alright, I’m glad we got that covered. I hope this cheered you up far more than my sad poetry about sad things and broken hearts.

Stay safe and for god’s sake, wash your hands.

Sincerely,

Still Alive Luke

Definitions and Terms

Can I tell you something about the words you thought you knew?

Can I? Can I really speak

About the driving force that changes things

From the old words into the new?

I know that sounds repetitive, but I swear to god it isn’t

I’m never more sure of the unsure things

Than when their time has come

To read by a dimly-lit reading light

That can help me see the sacred truths

Of where I hoped we might’ve gone

And what can’t be undone.

And now we’re here, I guess.

We stand atop the molehill of a single most childish dream

With the foolish finite hope perhaps

That it might be a precipice

Over which we could dangle dangerously

In hopes to see the morning rise

In eternal replication of a societal destination

Where matters of the heart are far more comforting than their lies.

But I swore I’d tell the truth to you

That’s the one thing I can give

And yet the bitter facts of men truly have no merit

No exchange rate

No great comfort lasting in

The echo of a syllable and tears that smear the written word.

They light a burning hole so deep into the blackest ink

And all of the concerns held tight

To a petrified raft, now stone, that only ever sinks.

At the whim of each and every fading ship who would leave alone

The calling of a future now abandoned in ice and snow.

Where at last it finds the quiet and the slow embrace of time

Deep within the cavernous whim

Of the words that will mean ‘goodbye’.

That’s the word I’m searching for

I know you see it too

The pain that travels seven stops

For the sake of what I’d do

To make it last forever in the world I thought could be

Where we are nautical unsinkable ships

Who cannot drown if we’re not on the seas.

If we’d avoided the fearsome winds and rain

To sit silently in the bay

It’s there we’d see our sunrise

At the dock along the shore

So far from every towering wave,

So long, my thunderstorm.

I’ll admit these lines make me self-conscious.

What a stupid choice of words.

But this is my poem, my story,

And honestly, it doesn’t even matter if I’m heard.

Not by the one it’s written for or the ones who might find joy

In knowing the simplest truths of life:

That even as each heartbreak casts their every weighted stone

You are a biblical Magdalene

And at least you are not alone.

I like to think you’re hearing me just like once I thought you might

But the time for finding meaning

Has passed beyond these fading words.

It will leave us at the church bell toll that signals worlds stretched out before

A path for you to wander down

A path for you alone.

And I know you will not think of me

But rest assured, on that day I’ll wave

Goodbye to the things that never were

What never was

Goodbye.

You didn’t stay.

New Year's Eve at 9:58pm

Can you hear the fracture of the water in the womb?

The toll of all good things foretold

That are only swimming until they drown?

The gap between is widening now

And moving like a tremendous machine

But all I have are broken pillars

Now

And jagged stone on which to lean.

They never said that the waters cut

Until each drop of blood

Is spilled in ocean’s misery for

The amusement of countless sharks.

They cut the ocean waves in two

They wait in darkest depths

They are those that you were told to love

And lifelong friends you thought you’d have

But anchors sink the drowning and

This raft was built for one.

I picked pumpkins from a dying field

Where the grass was tall and dead

And I saw these bonds I’d never have

And I watched great pumpkins grow

In the hands of better living things

That knew when frost could turn to snow.

They shared a sliver of their life

With a friend they used to have

And I’ve never felt quite so much at home

Than in the arms of those who were chosen, instead.

And I wish the field wasn’t empty.

I wish those grasses grew.

Past every life I wished to live

And the love I wished I knew.

I Can't Find the Silence

Sometimes you just need to get away to think

And I’m not talking about the train of thought

That finds a heaven’s rush

I’m no philosopher and though I’ve never wandered,

Even I’ll get lost.

I’m talking about the feeling felt

When the world is so heavy and loud

That you need the silence echoing

You need the solemn hope

Found only ever always in a human place to think.

The funny thing is, it could be anywhere

You can find the quiet in a cold dark room

Or in the loudest shop

Or on a beach of crashing ocean waves

It' doesn’t have to be the void

It can be anything, anywhere, because

The silence is a chasm and the chasm is in you.

I walked a thousand miles once

And it felt like frozen years

But not once did I think to stop or end

The road that ran so short

Along a river with those timeless bends

I thought I found the pause I needed

In a world currents forgot

But every dam that stood was breaking

And in thunder are all things lost.

I found a quiet library in the stacks of fallen trees

And all the things I thought I’d read

Were stained and smeared and gone.

All there was, was a quiet silence

And the whisper of the girl

Who prowled the books lost lingering

In the quiet place so loud

I wish I could’ve wandered too

I wish I could’ve stayed

But I heard myself so loudly there

That I was only meant to go away.

I thought in time the place for me

Was my old true family home

The only place I ever knew

The last place, I could go.

But each and every memory rings

The tolling bell so loud

Of all the things you thought you’d left

With those you had, not ‘have’.

Because what you remember is broken

And all childhood friends have grown

Into towering trees now towering tall

Above the life you’ve led

And now there isn’t family

No hallowed imaginary friends

There is just you, in a big dark room,

A black hole where the world can end.

I’m running out of places now

New stones to overturn

I’ve played the last game of hide and seek

And I’m the only one who hid

I thought to wear white camouflage

To blend with library trees

To hide in all the things I know

So much better than all I knew.

But I find that I’m the haunted now

And there are lives that want revenge

They’re better men than I’ve ever met

And purer than a love I cannot feel

So I’ve no doubt the end is righteous

And

I’ve earned the cannon blast.

And now?

Now it’s a long-dead New Year’s Eve

I’m in a pub that rumbles loud

With the stir of joyous lives still led

Where couples laugh and friendships bloom

Until my glass will shake.

But I’ve finally found my quiet here

A break from all the noise

And though one beer is all I’ll drink

I’ve found that quiet here

For a moment the weight has lessened

Just once I’ll take the breath

That will see me through to another me

Another year

And to fresh new thoughts of you.

12/21: A Writer's Story

This isn’t really a story. Rather, I just couldn’t figure out what to title this blog post until suddenly I did.

My father gave me his first bit of feedback on the initial draft of “The Clear, The Cloud, and The Volcano” just the other day as we sat in a darkening theater. There’s something oddly fitting about that. Before I get into it, I should note that the feedback was stellar and promising and hearing it from someone I admire so much, who has always shot straight with me about the quality of my work, was one of the best moments of my life. True, as is very on-brand for me, I immediately began to wonder if the second half would let him down, but that’s a conversation for another time. I don’t know yet and so, neither do you.

He told me what he thought on December 21st. Coincidentally, that’s the birthday of the person who first convinced me to be a writer and her name was Christina Hewitt. Then again, maybe “convinced” isn’t the right word. In fact, I’m quite certain it isn’t.

Way back when I was a 17 year old spitfire who was full of life and repressed emotion, I started talking to a girl. She was pretty cool, pretty cute, and she had a septum ring. So in other words, she was my teenage Kryptonite. Did I mention she wore lots of black eye-liner? Let’s face it, anti-social Luke was a goner. The only problem was, I was exactly as exciting as you’d imagine a boy that age being, one who never got around to having many friends and spent his days mowing lawns, bird watching, reading books, and typing quite awful stories on an old typewriter in the basement of his childhood home. Which is to say, I was boring. I hadn’t quite found myself yet and there was just not a whole lot going on for me at that point in time.

So when she asked me what I wanted to be, I thought about that one chapter of a book I wrote (that wasn’t as bad as all the other ones) and said: “I’m going to be an author.”. It wasn’t that big of a leap and we had initially met on a fantasy author’s forum, so it seemed like a safe bet. As it turned out, I nailed it. She thought that was exceptionally cool and so I did the only thing I could do to try to salvage the situation: I started writing. I started writing a lot because I tell you what, when you tell a cute girl that you’re going to be a writer (and you didn’t know that about yourself), then you need a back catalog. I wrote short stories (they weren’t great) and the beginnings of half-formed novel ideas (they weren’t either), and I sent her each one as I finished them. Turns out, she liked them and said nice things about what were clearly the works of a lunatic who had yet to develop any talent whatsoever. But it made me feel good about myself and gave me this strange sliver of hope.

So I kept writing and we even started to co-write a novel together, our goal being to become best-selling novelists. Spoiler alert: That part didn’t pan out.

The funny thing is, none of it panned out except for the part where I decided I was going to be a writer. We never finished the terribly lame fantasy rip-off we were going to write and I never won the heart of the girl I didn’t really know but was desperate to impress. Eventually, she simply drifted away. Last time I heard from her, she was working in a bookstore somewhere in Canada. She was a really cool person and someone who helped me wander into a passion I didn’t know I’d have, so I still think about her sometimes and hope her life is turning out alright. I don’t know if mine is, but I’m trying. But the thing I think about sometimes is this: I wonder, if I could go back in time and tell that lonely and younger version of me, if I’d be happy knowing that I didn’t win the heart of a girl I never really knew even if it meant I’d turn into a somewhat decent writer who (at times) has his moments.

Maybe I would. Maybe I’d sit back and think “Hell yeah, buddy. Way to go!”. Then again, maybe I’d sit there and wonder how my path had diverted so quickly into a world I wasn’t ever planning on visiting. Because see, when I was 17, my passions were basketball and girls with septum rings. They had nothing to do with writing. I was just a lonely kid who read a lot of books. So now, as a struggling writer who’s just turned thirty, it’s easy to sit in this chair, typing on this computer, and wonder what would’ve happened if I’d told her something else. Maybe I should’ve told her I was an aspiring juggler. Or perhaps I could’ve said that I was going to be a great adventurer like Christopher Columbus (but without the whole murdery thing).

Maybe I could’ve said that I wanted to be happy. How odd it would’ve been if I’d accidentally become that.

Instead, I’m a writer. And that’s not because I have some god-given ability (you have no idea how much trash I’ve had to write on the road to getting better). It’s not because I’m a pretentious fellow who thinks he has the answers to all of life’s unanswerable questions. It’s nothing nearly as interesting as all that. Nope. In the end, I’m just a guy who, once upon a time, told a girl that he wanted to be writer because that seemed as good a way as any to woo a bookworm with parentally-unapproved facial piercings.

So here I am. Her birthday came once again (Happy Birthday, Christina Hewitt) and on that day, my dad said he was loving my new book. Which, if I’m being perfectly honest, was one of the greatest moments of my life.

What a strange world I live in. What a weird thing life sometimes turns out to be.

So in the end, I am part of the shortest of stories: I became a writer because of a cute girl and I’ll continue down that path because it’s all I know how to be.

Rewards

I really hope I’m man enough 

To die living somewhere new

And I don’t know the ‘where’ will matter

Or if I’ll like where I have to go

I just hope you’ll know the truth of things

And the breaking ice on which I stood

That you were always all I’d never leave

But I’ve stayed as long as I could. 

You’ll never come to care about me

Not in the ways I think you should

But I am just a hollow tree and if I fall in an empty forest

Can you hear the splinter of the wood? 

Or is there only silence and is that all there’ll ever be?

Is this just the blind man’s story

Of the lights he’ll never see?

I like to think it isn’t

That the fire might still build

But its flickers fade in winter wind

And I know the will won’t stay. 

Because I only have to close my eyes

I only have to blink

And I’ll no longer carry the lingering ghost that is so like an anchor

And every anchor sinks.

But what if I don’t want that end

Or some fleeing pain?

What if the ache of every iron undead ghost

Will make life less lonely when it stays?

I like to think that’s possible

Because I know where that other road ends

In the shirt pocket once full, now empty,

Over a still heart on which fantasies depend. 

The funny thing is…

I know I can let those stories go

And kill the lives I’ll never lead. 

But the hope for the fantastical ending is all

A representation of what ‘happiness’ might mean. 

In the hole of a heart now a handkerchief stored

To stop a river’s lost love that is flowing like blood. 

In black tides that rise high like the seas

I’d drown swimming and floundering and failing to hold

That joy, the life, the love so bright,

That is imprisoned in another man’s memories.

Because you cannot storm the castle 

Not the one that was never there. 

And you cannot lose what you never had

Or eat from a table of kings

Because you are every word unsaid and every life unlived

And to the very finite and infinite end, you’ll be damned to the life that you’ve led.

Finishing Things

First drafts count, right? They should. That’s finishing something. We’re all first drafts in a way, pieces of flawed art under constant revision over and over again until it doesn’t matter at all anymore, so it makes sense that those of the written word will still count. I think they do. It makes my life easier to believe such things, so let’s operate under that assumption for the rest of this blog post. I think it’s fair. I make the rules here, so I don’t think I can ever really be too far off base.

Anyway, I finished a new book the other day. It’s a short one, a nice little story about impossible things and the sadder things that travel in their wake. It moves like clouds when there are no clouds in the sky and I’m okay with that. It won’t be for everyone, nothing I write ever is, but I’m proud of it. I was crippled by insecurity at first, because new things are always terrifying, but I’m a little more firmly anchored at the moment. It’s a good story. 80,000 words of family and loss and eternal things. I like it and the first drafts are being printed for my test readers as we speak, so we’ll soon see what my finely curated group thinks of the effort. Will they like it? I hope so. Will they hate it and find it boring? Possibly. I don’t think it matters. The story will always exist nonetheless.

Finishing things is important. That was the first thing I ever told myself when I decided that I wanted to do something I’d probably fail at. It didn’t matter if anyone gave a shit what I was doing, it didn’t matter if anyone cared, all that mattered was whether or not I had it in me to finish the things I started. Not everything, mind you. I was a stupid kid with a lot of stupid ideas, but sometimes I’d have glimmers of intelligence and they’d shine a light on the things I knew would have to have their end. Stories have always been like that. I’ve never not finished one. No matter what, no matter how it changes or if it becomes something I didn’t want it to be, I finish the work. The story always matters, every time, because no matter if I can’t recognize it…the story is me.

I think of my life like that. My stories are filled with people who find themselves in sad and trying times. It’s not personal. I have no grudge and hold no ill will against them. It’s just the way these things go. In many ways, I’m that same person. I have put myself, time and again, through things that are emotionally, physically, and mentally trying, because while I’m not a confident man, I’m possessed of a singular belief that I can put myself through unfathomable things and get to the other side every single time. It doesn’t matter what it is, it doesn’t matter why I’m doing it, there’s not a single part of me that has ever thought I couldn’t finish what I’d started.

That’s valuable and I think it might one day be untrue. One day, I’ll voyage into a darkness too dark or poke a bear too large. It’s just a matter of time, I’d imagine. No one lives forever, nor do my dreams, my stories, my challenges, or myself. There will come a time when the story ends before it’s supposed to. I will blink and there will be no more words, only the blank scroll of a timeless parchment that has somehow managed to run out. That is something I signed up for. When I first sat down behind a keyboard and told myself I could write, I knew I’d send myself to places where it was often unpleasant to go. My darkest fears are there, you see. My greatest pains are there as well. They hide and wait and sometimes I don’t even know they’re there until I’m writing them down in ink that bleeds the deepest reds.

It’s only then, once they’re being written, that I realize they never left. They’ve been there all along. And I have two choices: 1. I can stop writing the story. I can close the document and walk away. Or 2. I can write the damn thing anyway, because I came this far and there’s no way in hell I’m turning back now.

I always pick the second option. I pick it in my writing and I pick it in my life. I put characters through every emotion I’ve already felt or thought about feeling and I put myself through greater pains than is probably warranted, expected, or recommended. And I do it for one reason and one reason only: Because I can.

It doesn’t matter that one day I’ll fail. It doesn’t matter that one day there will be an unfinished thing discarded and forgotten on the living room floor. None of that does. The only thing that matters, the only thing that I’ve ever been sure of, is that I can put myself through terrible things for the sake of faint glimmers on the other side. And until I fail, until I fall, and until I drift slowly and inevitably away, I will do exactly that.

Because I can.